"Harmony and Dissonance" : The Musical Perspective on Posthumanity

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Tytuł: "Harmony and Dissonance" : The Musical Perspective on Posthumanity
Autor/Autorzy: ANNA BUGAJSKA (Autor)
Nazwa czasopisma: Eidos. A Journal for Philosophy of Culture
Rok: 2019
ISSN: 2544-302X
DOI: 10.14394/eidos.jpc.2019.0028
Adres www:: http://eidos.uw.edu.pl/harmony-and-dissonance-the-musical-perspective-on-posthumanity/
Strony od-do:
- 14-28
- 1.3
Język: angielski
Abstrakt: This paper explores the role of music as a communicative tool between the human and the posthuman. It utilizes the theories of embodiment and performativity of Karen Barad and Deniz Peters, as well as the perspectives of Continental Realism and contemporary phenomenology (Serres, Merleau-Ponty, Harman, and Morton). The examples are drawn from a range of pieces of speculative fiction: dystopia, biopunk and science-fiction. It is shown that the authors bring to attention the enharmonic quality of the relationship between the ALife and its creators and advocate eupsychian coexistence between these, portraying posthumanity as musica ficta: the sounds without notation that, although not recognized by musica recta (“true music”), make the invisible part of reality outside of currently described systems.
Dyscyplina: filozofia

002 $a "Harmony and Dissonance" : The Musical Perspective on Posthumanity
003 $b 0000-0001-6078-7405
003 $a ANNA BUGAJSKA (Autor)
004 $a Oryginalny artykuł naukowy
006 $a Eidos. A Journal for Philosophy of Culture
008 $a 2019
011 $a 2544-302X
013 $a 10.14394/eidos.jpc.2019.0028
014 $a http://eidos.uw.edu.pl/harmony-and-dissonance-the-musical-perspective-on-posthumanity/
015 $a 14-28
016 $a 1.3
017 $a angielski
020 $a This paper explores the role of music as a communicative tool between the human and the posthuman. It utilizes the theories of embodiment and performativity of Karen Barad and Deniz Peters, as well as the perspectives of Continental Realism and contemporary phenomenology (Serres, Merleau-Ponty, Harman, and Morton). The examples are drawn from a range of pieces of speculative fiction: dystopia, biopunk and science-fiction. It is shown that the authors bring to attention the enharmonic quality of the relationship between the ALife and its creators and advocate eupsychian coexistence between these, portraying posthumanity as musica ficta: the sounds without notation that, although not recognized by musica recta (“true music”), make the invisible part of reality outside of currently described systems.
966 $a filozofia
985 $a Wydział Pedagogiczny
985 $b Instytut Neofilologii

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